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J Balvin apologizes after “Perra” music video sparks backlash over portrayal of Black ladies


J Balvin has apologized to followers after viewers complained his new music video was racist for its portrayal of Black ladies. The video for his music “Perra” has additionally been pulled from YouTube.

“I need to apologize to whomever felt offended, particularly to the Black neighborhood,” the Colombian artist stated Sunday on Instagram. “That is not who I’m. I am about tolerance, love and inclusivity. I additionally wish to assist new artists, on this case, Tokischa, a girl who helps her folks, her neighborhood and likewise empowers ladies.”

“As a type of respect, I eliminated the video eight days in the past. However as a result of the criticism continued, I am right here making an announcement,” he added. “Mother, I am sorry, too. Life will get higher every day. Thanks for listening to me.”

The video, which was faraway from YouTube on October 17, confirmed a number of Black ladies being walked on leashes and different Black actors sporting prosthetics to make them appear to be canine. 

J Balvin
J Balvin in New York Metropolis on August 27, 2021.

Michael Loccisano / Getty


Tokischa, who’s featured within the music, was additionally proven in a cage as she sang about feeling like a “b**** in warmth.” In an interview with Rolling Stone, Tokischa apologized to anybody offended by the video.

“In case you, as a inventive, have a music that is speaking about canine, you are going to create that world,” instructed the publication. “I perceive the interpretation folks had and I am really sorry that folks felt offended. However on the similar time, artwork is expression. It is making a world.”

The video’s director and Tokischa’s supervisor, Raymi Paulus, stated he felt the video was taken “out of context” by its critics. 

“I perceive that there’ll by no means be a unanimous opinion about what constitutes artwork, however, for me, artwork not solely communicates magnificence and positivity—it additionally communicates the shortcomings of society, taboo topics, and different methods of seeing actuality that don’t at all times align with the pop imaginative and prescient that dominates the present market,” Paulus instructed Rolling Stone. 



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