‘Encanto’ & Extra Movies The place the Greatest Hit Didn’t Vie for Oscars – Billboard

The zesty “We Don’t Speak About Bruno” is the breakout hit from Encanto, however it’s not the tune that members of the music department of the Academy of Movement Image Arts & Sciences will likely be contemplating once they vote to find out this yr’s nominees for greatest unique tune.


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As a substitute, they’ll consider “Dos Oruguitas,” a Spanish-language acoustic ballad that had particular which means for Lin-Manuel Miranda, who wrote each music and lyrics for the entire songs within the movie. It’s the primary tune he wrote completely in Spanish.

“I actually needed to exit of my consolation zone,” Miranda instructed The Los Angeles Instances. “My activity was to jot down a Colombian people tune that feels prefer it’s all the time existed. … It was vital to me that I write it in Spanish, reasonably than write it in English and translate it, as a result of you possibly can all the time really feel translation. … I used to be actually pleased with it. I felt like I pulled it from a deeper place inside myself.”

Each songs are listed on the Billboard Sizzling 100, however “We Don’t Speak About Bruno” is means forward. The monitor, credited to Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Solid, vaults from No. 50 to No. 5 in its second week. “Dos Oruguitas,” credited to Sebastian Yatra, debuts at No. 83.

But “Dos Oruguitas” (Spanish for “Two Caterpillars”) is the one tune from Encanto that Miranda and the staff at Walt Disney Animation Studios submitted for Oscar consideration for greatest unique tune. It made the shortlist of 15 songs which are vying for a nomination. The 5 finalists will likely be introduced on Feb. 8.

This isn’t the primary time that the largest hit from a movie wasn’t the one which was submitted for Oscar consideration. Listed here are different occasions one thing like this occurred.

Grease, 1978: Olivia Newton-John’s “Hopelessly Dedicated to You,” which acquired an Oscar nomination, was an enormous hit, peaking at No. 3 on the Sizzling 100, however there have been two greater hits from the soundtrack: Newton-John and John Travolta’s “You’re the One That I Need” and Frankie Valli’s “Grease” each reached No. 1.  John Farrar wrote each “Hopelessly” and “You’re the One That I Need.” Barry Gibb wrote “Grease.” This was the second yr in a row that Gibb was handed over for an Oscar nod. Not one of the Bee Gees’ songs from Saturday Evening Fever have been nominated for the 1977 award. Newton-John carried out her highlight ballad on the Oscar telecast in April 1979 — and slayed! (“Hopelessly” misplaced to the disco basic “Final Dance.” Donna Summer time’s efficiency of that tune on the Oscar telecast was additionally stellar.)

Mary Poppins, 1964: “Chim Chim Cheree” received the Oscar, however it wasn’t the largest hit from the soundtrack. “Chim Chim” bubbled below the Sizzling 100 at No. 123, however the tongue-twister “Tremendous-cali-fragil-istic-expi-ali-docious” peaked at No. 66. Richard M. Sherman and Robert B. Sherman wrote the complete tune rating. Julie Andrews and Dick Van Dyke declined to carry out the tune on the Oscar telecast in April 1965 (on which Andrews received an Oscar for greatest actress for her efficiency within the movie). As a substitute, The New Christy Minstrels carried out “Chim Chim.” Later that yr, Andrews invited the ensemble to carry out the tune together with her on her NBC particular The Julie Andrews Present, an Emmy nominee for excellent selection particular.

As well as, there are numerous instances the place the largest hit from a movie wasn’t eligible for an Oscar as a result of it wasn’t written for the movie. Right here’s a sampling:

Nation Robust, 2010: Gwyneth Paltrow’s title tune from this country-themed movie reached No. 81 on the Sizzling 100. Sara Evans’ “A Little Bit Stronger” did even higher, hitting No. 34. However neither of these songs was written for the movie. One which was, “Coming House” (additionally carried out by Paltrow), was nominated. Paltrow carried out it on the Oscar telecast, however it misplaced to Randy Newman’s “We Belong Collectively” from Toy Story 3.

The Bodyguard, 1992: Dolly Parton wrote and recorded “I Will All the time Love You” in 1974, 18 years earlier than Whitney Houston’s steel-belted model grew to become a blockbuster hit in The Bodyguard. Two different songs from that movie, “I Have Nothing” and “Run to You,” acquired Oscar nominations, however each misplaced to “A Complete New World” from Aladdin. Parton had been nominated for greatest unique tune for 1980’s “9 to 5” and would nominated once more for 2005’s “Travelin’ Via,” however that is the one that may have received if it had been eligible.

The Rose, 1979: Amanda McBroom’s “The Rose,” a No. 3 smash for Bette Midler, wasn’t eligible as a result of McBroom didn’t write it for the movie. She had written it a yr or two earlier in response to her supervisor’s suggestion that she write “some Bob Seger-type tunes.” Midler was the primary artist to file the tune, however the Academy are sticklers on this level. Consequently, Midler didn’t get an opportunity to carry out it on the Oscar telecast, although she was a greatest actress nominee. McBroom did, nonetheless, win a Golden Globe for the tune. Their guidelines are somewhat looser.

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