‘Magnificence and the Beast’ Reside Musical Deliberate for Thirtieth Anniversary – Billboard

Magnificence and the Beast is getting the stay remedy at ABC to have a good time the Thirtieth anniversary of the beloved animated basic’s history-making Academy Award nomination.

The Disney-backed broadcast community is making a two-hour, live-action/animated particular that can characteristic a brand new forged and air Dec. 15 on the published community. Jon M. Chu (Within the Heights, Depraved) is onboard to govt produce the undertaking, which will probably be directed by Hamish Hamilton. The latter is finest identified for helming awards exhibits together with the Emmys and Grammys, in addition to the Tremendous Bowl halftime present, ABC’s The Little Mermaid Reside and a pair of Disney’s quarantine-era sing-alongs. The particular will probably be out there to stream Dec. 16 on Disney+.

Magnificence and the Beast is a timeless story and we’re so lucky to work with inventive mastermind Jon M. Chu and veteran director Hamish Hamilton to deliver a contemporary twist to this beloved basic for an unforgettable night time of Disney magic,” mentioned Craig Erwich, president, Hulu Originals and ABC Leisure. “Stacked with unforgettable performances, this will probably be a must-see particular occasion for followers of the unique and for the brand new technology being launched to this cherished story.”

This yr marks the Thirtieth anniversary of when 1991’s Magnificence and the Beast turned the primary animated characteristic to earn an Academy Award nomination for finest image. It could go on to win Oscars for its rating and authentic tune.

The BATB particular will characteristic never-before-seen musical performances, new units and costumes impressed by the basic story. Every efficiency, ABC says, pays homage to the unique animated favourite whereas additionally including to its iconic story. Songs from the unique animated basic will probably be carried out in entrance of a stay viewers at Disney Studios.

The brand new particular follows information earlier this yr that Disney+ was delaying its deliberate Magnificence and the Beast prequel sequence starring Josh Gad and Luke Evans reprising their function from the 2017 live-action characteristic. The undertaking, sources say, will not be anticipated to maneuver ahead regardless of rumors on the contrary. Disney had already invested roughly $50 million into the manufacturing, which hailed from As soon as Upon a Time veterans Edward Kitsis and Adam Horowitz and was to characteristic new music by EGOT-winner Alan Menken. Sources observe Disney pointed to the sequence from Kitsis and Horowitz — two of Disney’s most essential showrunners — for example of the content material it needed to make for its streaming service.

Magnificence and the Beast was at all times a game-changing cinematic expertise for me,” mentioned Chu, who can be based mostly at Disney with an total deal. “When the animated film got here out, I watched it a number of instances within the first weekend. It confirmed me the outer limits of what animated artists and storytellers might obtain, so the truth that I get to govt produce a tribute to all of the creatives that made this masterpiece by way of our Electrical Someplace firm is a dream I didn’t even assume was attainable. With world-class creatives and expertise to reinterpret the basic musical numbers (with just a few surprises), I can’t look forward to the audiences, in particular person and at dwelling, to expertise what we now have in retailer for them. It’s a real celebration of creativity.”

Magnificence and the Beast: A Thirtieth Celebration is exec produced by Chu, Hamilton’s Achieved and Dusted Productions, Walt Disney Tv Different, Caitlin Foito, Raj Kapoor, Richard Kraft and Katy Mullan.

Chu is at the moment in pre-production on Common’s characteristic adaptation of Depraved and growing Dr. Seuss’ Oh, The Locations You’ll Go with J.J. Abrams’ Unhealthy Robotic. The latter undertaking marks his first animated characteristic.

This text first appeared in The Hollywood Reporter.

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